Affichage des articles dont le libellé est web série. Afficher tous les articles
Affichage des articles dont le libellé est web série. Afficher tous les articles

jeudi 10 mai 2012

Hit in France and the most commented show in the world : "BREF"



One of the most commented series in the world, transmedia French comedy "Bref"  is a great hit in France and abroad.  During this MIPTV, The Wit classified it among  the first 3 most popular shows in a world. In France it's a real success story, an event that never happened before.  


Only after 3 weeks of broadcasting on Canal+, Pay TV Channel, and on the social media,  it had already 600 000 fans on Facebook. ­ Today, there are about 2,5 mln fans. 

The pitch of this show is what life is all about : first we were born, in the end we die. Between the two, things happen. Bref, it's the story of a guy in between the two.

It's a short comedy - each episode lasts about  2 minutes- that shows real life of a normal guy in his thirties.  Boasting a great sense of humor, funny actions,  a swift narration mainly via voice over and post-production effects that "cut" the plot make it a hit.

Two authors: Kyan Khojandi and  Bruno Muschio didn't predict that they would create an outbreaking  event. Thay  just came up with a good idea.   Canal+, which invested  in the original series, gave them a chance and they put all their hearts into it. Harry Tordjman from My Box Productions,  produced it. 

It's a quality series. 6 days are needed to produce 1 episode: 2 days for writing the screenplay, 1 day for the shooting - approximately 4 hours of shooting for 2 minutes- and 3 to 4 days of post-production, ie coding, special effects, VO, calibrating, etc.  

Today, there are 64 episodes and  it's a second running. 
In march 2012, DVD with the first 40 shows was on the market.

Of course guest stars appeared in "Bref", but in an original way: almost 20 of them are combined in one episode "Bref, there are people who get on my nerves” and the main character talks to them without knowing that they are famous. 

 The first episodes were broadcast in September 2011 on Canal+ and almost simultaneously on Facebook and Twitter. The authors negotiated with Canal+ that every episode could be accessible freely on website for a long period of time, not only for 7 days, as it's a common habit in France (after it's a VOD). 

Moreover, on April 30 2012, Canal+ included "Bref" in its widgets on IPhone  Canalplus and on IPad CanalTouch.

The account on social media is managed directly by the authors, not by Canal+. Page Twitter @brefserie is hold by @navavo and @kyank.
Kyan Khojandi and  Bruno Muschio are young, "connected" authors from generation Y, who surf on internet, watch videos on Youtube, zap them rapidly. They created this comedy for a TV  channel, but in a way that it is perfectly fitting for the  web.


Well, I'm definitively a fan, what about you?

liens vers le vod de bref sur Canal +

mercredi 11 avril 2012

10 minutes with Tom Bannister, CEO of SXM Media


photo de Tom Bannister, CEO of SXM Media
TOM Bannister, CEO of SXM Media
Excerpts:
 How did your cooperation with Samsung start?

In 2006 Samsung created a short film website called http://www.anyfilms.net/ and I saw it. At that time, my company was a short-film sales agency. We tried to sell them some of our short films, but instead they proposed us to produce short-films for them. So we developed some short films for Samsung. And from that we did some viral campaigns, one called Europe United. I developed a relationship with Samsung slowly from 2005 till 2009. In 2009, we pitched them for Fact Checkers Unit, season one. They came to America, we talked more about series, they liked it and we brought NBC as a partner. That was a beginning.

How do you adapt the content to different platforms: web, mobile? Do you use a different format?

It's the same format. Each episode lasts about 5 to 7 minutes, but each one is broadcast on tv as well. However, they are mainly created for the web and for mobiles. [...] The storytelling is perfect for a short format because each episode is an enclosed story. So you don't have to watch episode 1 in order to understand episode 10. That was one of appealing things for Samsung, that each episode was a separate film.
Each episode begins with a given fact that FCU has to check.
[...] Few people know that a magazine fact checker is a person that checks the articles. I think there are two things about this production. One is about a friendship, and the other is about two guys that have a boring job, but they make it interesting. I think a lot of people in real life know this situation: a job that might not be exiting. But FCU is about taking that job and making it exciting. So fact checkers go into the field and act like secret agents. It's all very silly, but they make life interesting and that's why people like this series. That's probably what the phones are all about: listening to music, watching videos, going on Facebook - all these things on your phone make life more interesting, your phone becomes entertaining.

Can we find additional content on social media?

FCU has a HULU page, YouTube page, Facebook and Twitter page. On each of those pages you will find the main content as well as additional materials: shots from the field, interviews with the actors. When we worked with NBC, there was a page on NBC.com, with MTV - a page on MTV.com. We are currently creating a FCU web TV, that will be ready next month.

What is the 3rd season of FCU about? Have you got a media partner?

The third season will be more about new media, social networks as Facebook and Twitter. No media partner this time.
[...] We try to do third season based on supernatural facts, like X File, but this idea has not yet been agreed on.

What is the audience of FCU?

The audience was initially technology geeks, between 18 and 30, slightly more men. We are looking to appeal to people who write about technology, technology bloggers.

The Galaxy Note is a creative device that has many drawing functions. Thus season 2 was dedicated to creative professions.
Season 1, with Galaxy Note was a little more mainstream audience.

Moreover, we have a global audience: in Asia, in the UK (big followers), in the US, Australia. It's a little more popular in English speaking countries because this comedy translates better if you are an English speaker, even if there are subtitles on them. However, it's a concept that people understand in any languages.

What is your business model?

Samsung underwrites the costs. That's why the product is integrated in it.

What are the statistics about this show ?

There are 9 million views: 4,5 million on You Tube and 4,5 million on MTV and it was just for season 2.
The average time people watch every episode is about 4,1 minute (comparing to 11 seconds that on average people watch You Tube video).

What is a next challenge for you?

The music web series with Viva. There is a web network live on You Tube that does music videos, so we are doing a pilot for them next month.

Moreover, I constantly develop series, like a series call "CTRL", with Tony Hale, who plays Buster Blue. It is a scripted comedy about magical computer and we produced season one with Coca Cola and NBC. But then Coca Cola has decided not to do season 2, so I've been trying to find a computer brand or a technology brand to sponsor the "CTRL" because all the series are about a magical computer. It's hard to get brands to sponsor these kinds of things and I think that it might be partly due to the economy, and it's still a new format of marketing.

My company does a lot of different productions: from entertainment to advertising. FCU is somewhere between. But for example Matumbo Goldberg with Comedy Central is an entertainment production. There is no sponsorship. It's very risqué and a little bit controversial.

I'm really interested in the healthcare industry too. I think a healthcare industry is perfect for online videos because the first thing that somebody does when diagnosed with something is to go online, searching on Google. I'd love to produce programming for that audience. We did series with Disney called "Diagnosis stories" about diabetes which is all about families discovering that their kids has diabetes. It's a documentary series about real families and real solutions to real problems.

What I can wish you?

My perspective on work is more about doing something that you could be proud of, that you enjoy doing it, than about making money or trying to be successful. I'm more interesting in unique experiences.

Meilleurs séries sur réseaux sociaux dans le monde

Quelles sont les facteurs clés de la réussite des séries sur Facebook, Twitter? Y a t'il des différences importantes liées aux pays, où y a t'il une approche globale ?


Pendant un an The Wit a analysé les séries les plus populaire sur les réseaux sociaux dans le monde entier. Virginia Mouseler, CEO de The Wit, France a présenté la liste de vainqueurs lors de la conférence "Fresh TV: les meilleurs programmes TV sur les réseaux sociaux".

photo de Virginia Mouseler, CEO de The Wit, MIPTV 2012
Virginia Mouseler, CEO The Wit
MipTV 2012


3 Facteurs clés de la réussite

En observant le comportement des internautes dans différents pays, The Wit a relevé les trois facteurs clé du succès des séries sur Facebook: comédie, feuilleton et téléréalité.

Deux tiers des séries les plus populaires sur Facebook sont des comédies. Les gens recherchent plutôt du divertissement. Le second aspect est celui du feuilleton qui permet de fidéliser l'audience et de créer un lien de loyauté. L'émission de téléréalité permet d'inciter l'audience à participer au programme ("American Idol", "X Factor", etc) par le biais de l'interactivité.

Facebook vs Twitter

Le comportement sur Facebook se différencie de celui sur Twitter.
75% des internautes préfèrent les programmes scénarisés sur Facebook, tandis que sur Twitter deux tiers de gens suivent des émissions de téléréalité. Facebook favorise la relation de longue durée avec les fans, tandis que Twitter se penche vers la relation instantanée.

Les programmes les plus populaires sur Facebook sont:

The River, ABC, USA avec plus de 250 000 likes
The Voice, CH2, Israel avec 19 240 likes
Tallafornia, TV3, Ireland: 8 760 likes.

Les programmes les plus populaires sur Twitter sont:

The Voice, BBC One, UK: presque 25 000 abonnés
Alcatraz, FOX, USA: 15 300 abonnés
Smash, NBC, USA: 11 802 abonnés (Spielberg realise cette série)

Les nouveaux programmes les plus spectaculaires sur Facebook sont:


photo de la page Facebook de Berlin Day & Night
Berlin Day & Night


Berlin Day & Night - la première saison a été la plus commentée dans le monde et le numéro 1 de likes sur Facebook en Allemagne

Bref - la première saison de la série comique française s'est placée en la deuxième position comme l'un des programmes le plus commenté dans le monde et le numéro 3 de likes sur Facebook en France.

Média sur Facebook and Twitter

Les média ne sont pas très présents sur les réseaux sociaux. Seulement 29% des nouvelles émissions dans le monde ont une page Facebook officielles. Les média des Etats Unis sont plus actifs, avec 33%. En Europe, L'Angleterre et l'Allemagne se placent devant les autres pays avec seulement 12%. Je serai curieuse de connaître la position de la France.

Les résultats sur Twitter sont encore plus bas: seulement 15% des programmes sont présents sur ces réseaux sociaux. Un événement culturel: à Mexico 85% des programmes ont leur compte Twitter, comparé à 2% en Allemagne.